A Mime in a Terrible Thing to Waste

The mime was working the crowd next to the loggia and the entrance to the Uffizi Gallery. White-faced and in an orange jumpsuit with the helpful word “Jailbird” stenciled on the back. He wore a single green glove – a sanitation worker down on his luck – furtively  hamming around behind the backs of unsuspecting tourist girls, whose hand he would grab and as they turned to see who hadaccosted them he would shout, “HA!” and give them a terrible fright.

“Stay away from him, he’s a f#$%^r,” said my daughter, wise to the ways of the Florentine alleys after a term across the Arno. I was tired – having just surmounted the 450 plus steps (and my severe acrophobia) to climb to the top of Bruneschelli’s dome of the Duomo – and I was in no mood for any mime bullshit. Too late. Five people between me and the crazed white faced garbage man and he locks eyes on me – as Quint said in Jaws, he had a doll’s eyes, dilated crazed Siberian husky eyes. There was nothing I could do but shrug and endure.

First we embraced like long lost brothers and I understood what did me in – I was wearing an ancient orange Orvis polo shirt which made me look like a large tangerine. He in his orange jumpsuit … it all made sense but then it made no sense. Lesson learned, wear orange at one’s own peril.

Then we danced a little and the mob of people sitting on the stairs along the loggia started to laugh. The laughter was like mime fuel. He smelled poorly.

We stopped. He dropped to one knee and put his ear to my stomach. He held up one finger to the crowd. They laughed. He held up two fingers to the crowd. Twins. They laughed louder. I thought of Alec Baldwin playing Junior in Miami Blues and how he casually snapped and broke the finger of a Hari Krishna in an orange robe who had bothered him at the airport, the surprise causing the Krishna to die of a heart attack on the spot. There were too many witnesses for me to maim the mime, so I continued to smile while inwardly counting down the moments until the mime assault would end.

Finished with establishing that my paunch meant that I was pregnant – go ahead, laugh at the fat man – the final indignity involved lifting my shirt, baring said paunch to the mob (and the astonished, apoleptic, laughter-oxygen-deprived faces of my wife and daughter) and then planting his face on my abdomen and doing the mime equivalent of the 14th century letterpress – aka The Motorboat – leaving behind a bas relief of his white makeup with two eyeholes, my navel as a nose and below, two horizontal black lines from his lipstick.

The crowd went insane. Truly insane. I turned, showed them the greasepaint on my chiseled six-pack, saluted and walked on. A beaten man.

Thx to Mark Hopkins for the post title.

D.H. Lawrence on Italian Churches

“I went into the church. It was very dark, and impregnated with centuries of incense. It affected me like the lair of some enormous creature. My senses were roused, they sprang awake in the hot, spiced darkness. My skin was expectant, as it expected some contact, some embrace, as if it were aware of the contiguity of the physical wor;ld, the physical contact with the darkness and the heavy, suggestive substance of the enclosure. It was a think fierce darkness of the senses. But my soul shrank.

“I went out again. The pavemented threshold was clear as a jewel, the marvellous clarity of sunshine that becomes blue in the height seemed to distil me into itself.”

D.H. Lawrence, Twilight in Italy

Very strange metaphysical exploration by Lawrence, set in the Lago Garda region of Northern Italy in the Dolomites. Stumbled on the book and found this passage that seemed appropriate after venturing into the darkness of Venice’s St. Mark’s Basillica.