This is a half model of the whaling bark Jireh Swift, built in 1853 in Dartmouth, Massachusetts. Plans of whaling ships are hard to find because builders worked from their own half models and the design was so ubiquitous no naval architect seems to have drawn one. I finally located a set of plans in the Smithsonian’s collection which were derived from a recent half model.
This hull will be finished bright (varnished) to show off the walnut topsides and mahogany bottom of the hull. The keel, cutwater, waterline and stern post are made from 1/16th” basswood veneer. I’ll mount it on a red oak backboard eventually.
I found this brief profile of one of the state’s last shipwrights while researching the history of shipbuilding in Massachusetts. Harold Burnham’s ancestors started building boats in the 1600s in Essex on the North Shore. He’s still at it today, preserving a bit of history one tree at a time.
First published in 1974, WoodenBoat Magazine is one of those rare magazines best read in print, never thrown away, and kept in a safe place for that inevitable time in the future when one needs to know the proper way to caulk a seam, steam a plank, or scribe a new waterline. I’ve been a occasional subscribers to the bimonthly for some time, but every so often, as I try to teach myself how to build a new boat or repair an old one, I turn to the WoodenBoat online forums, ask a question and receive a reply that my question was answered in an issue from long ago.
If I’m really desperate for the knowledge I buy a single electronic issue from the WoodenBoat store. But having done that several times in the past few months, I gladly parted with $170 to receive a USB packed with all 276 issues. It arrived this morning, packaged in a beautiful wooden case inlaid with a brass anchor and ship’s wheel.
When dealing with boats, there’s no such thing as a bargain, but this investment translates into a per issue cost of sixty-one cents. Not bad for a gorgeous magazine that costs $7.95 on the newsstand.
Now, if I can only figure out the index to the issues (the file seems to be corrupted), I need to hunt down an article about building half-models, which in turn will lead me to other articles about lofting and other arcane pieces of shipwright knowledge that can’t be found any place else.
And I need to figure out what to do with the wooden case, with some modifications it might be a nice case for my collection of rusty sailmaker needles.
In the mid 1990s I purchased a single scull to row around Cotuit Bay. I built a rack for it on the back fence and painted the blades of the two oars with the same green-yellow-white palette used by my grandmother to help my color-blind grandfather pick out my father’s skiff from the rest of the fleet. Every weekend morning when I was home from NYC I would wake up at dawn, put on a pair of rowing shorts that were more likely than not still wet from the last row, slip on some rubber clogs and slip out the back door to lift the boat from its rack and swing it up and onto my head for the walk down Main Street and Old Shore Road to the harbor.
I’d pretend to laugh if someone I knew drove up the hill and rolled down their window to say “Nice hat!”
If I was lucky the tide would be high, otherwise I’d have to kick off the clogs and squish through the primordial clam mud, 40-lbs. and 29-feet of racing shell held high overhead with locked arms, grimacing as I stepped on broken clam shells and the black goo squirted between my toes before I could reach enough water to roll the hull out and down with a splash. The ladies of the Cotuit Rowing Club would wave as they rigged their oars in a four. Fishermen would look at me suspiciously as they backed their trailers down the ramp and checked out the fat guy with the too-tight shorts about to climb onto an impossibly skinny boat.
I’d set off on flat calm waters as the sun topped the pine trees on Grand Island, heading across Cotuit Bay, picking my way carefully out of the anchorage and down the fairway to open water where I’d turn the bow to point down the long straightaway into North Bay, lining up the narrow stern with the steeple of the Masonic Temple next door to Freedom Hall.
Ten strokes, starting with short quarter, half, then three-quarter length slides up and down the tracks on the rolling seat to get the boat moving, settling down to full strokes and lengthening every catch and drive as I started to sweat in the morning humidity. Turn around on the tenth stroke, take a quick snapshot over my shoulder for any obstacles like moorings, channel markers, fishermen cruising out to the Sound without any navigation lights, or other rowers, kayakers or paddleboarders who might not see me paddling away. Then counting off ten more stokes, looking backwards and upsetting the boat a bit, readjusting the course by pressing down on one foot more than the other.
Having plowed a borrowed Alden Ocean Shell double into a moored Boston Whaler, and rowed a borrowed Grahame King-built double head-on into another boat at a regatta on the Charles River, my paranoia of rowing backwards without the guidance of a front-facing coxswain is deep and abiding.
The first leg from the cove at Ropes Beach through Inner Harbor to the Narrows is about 1000 meters. On the ergometer each stroke is typically counted as ten meters, so ten strokes can cover 100 meters. a distance long enough that a backwards glance is only enough to see if the next ten strokes can be hard ones, or if the bow is pointed at a dock and needs to start curving to port on the third stroke to thread the gap between the red channel can and the float at the end of the pier. I stay out of the channel at all times, preferring to hug the shore and find the gap there between any anchored boats and the beach. That way, if I flip the boat I wind up in waist deep water, a good thing if the water temperature is under 50 degrees and hypothermia becomes a fear.
Then the transit of North Bay, the designated water skiing area, where everyone pushes the throttles down to the deck and relieves the boredom of the 6 mph speed limits in effect everywhere else in the Three Bay estuary. Fast motorboats can generate huge tsunami wakes that come at a rower from the side, lifting you three feet up, oars wildly swinging in the air, rolling you into the trough where the next wave washes over the boat and soaks one’s lower body in green water. Some motorboaters get enraged when a sculler paralleling the channel passes them on the right and pulls away. Once they hit North Bay they want to get away from me like an old lady passing a hedge fund princeling riding his $20,000 Colnago down the middle of Main Street, and take off with a roar and a big fart of two-stroke outboard exhaust for me to inhale on the next stroke.
Still, I catch up to them again within a mile when they leave the bay and hit the channel into Osterville and the boat yards. That’s where careful navigation is needed, threading through moorings off of the fourth hole of the Wianno Club golf course before sliding down the main channel between the boat yards and gas docks. The drawbridge is always tricky because the current accelerates under the span and its best to stay out of the center and take the shoreside arch in case another boat is coming around the corner from the Wianno Yacht Club.
Yesterday, as I rowed into West Bay, I realized the winds had shifted and started to swing back towards the usual southwest direction it blows from most of the summer. The gusts left over from Hurricane Teddy (which passed well to the east of Chatham the day before on its way to Canada) were shrieking in the late afternoon sunshine, kicking up a jagged chop as I popped out from under the draw bridge. Fetch and shadow is the trick to open water rowing. Fetch being the amount of open water that the wind has to work with to churn up any waves. The more fetch there is, the higher the waves. The wind shadow is the calm area in the lee, or downwind side of any land mass, usually extending out five to ten times the height of the land and trees. When transiting West Bay, a shallow body of water bisected by a busy channel, sometimes the trick isn’t to take the shortest line to the head of the bay, but to tough out a few minutes of taking the waves on the beam, the boat rolling a lot in the chop, just to gain the strip of calm water beneath the verdant mansions on Oyster Harbor’s eastern shore.
I was pooped by the time I sculled up to the entrance of the Osterville Cut, the man-made ditch flanked by stone jetties that divides the barrier beach of Dead Neck from the Osterville mainland. A big swell was infiltrating the bay through the channel out into Nantucket Sound, putting the wherry to its first big test since I launched it in mid-August, rolling me around enough to make me a bit queasy as I crossed the sandbar at the entrance to the Seapuit River, a shallow area the colonists called the “Wading Place” because they could drive their cattle across at low tide to graze on the island’s salt hay.
I waited for a couple of motorboats to make their intentions known, then zipped across the Seapuit to Dead Neck, beached the bow and hopped out, ancient bones and sore muscles making me hobble around on the beach while I drank some water and pulled out the pump to empty the wherry (which still leaks a bit, but had been taking an occasional wave over the side as I crossed the bay and took the wind broadside).
The Seapuit River is my favorite stretch in the entire 10,000 meter row. The sand dunes of Dead Neck block the worst of the wind, the river is too narrow for any chop to build up, and this time of year, when the water begins to clear, it’s a pleasure to skim over the shallows near the beach grass and get a clear stretch of water for some hard speed work.
My buddy Steve and I agree the worst part of the row is the end of the river where it enters Cotuit Bay near Cupid’s Cove, the ancient harbor entrance that silted over after the Osterville Cut was built in the early 1900s. On a southwest wind there’s a lot of fetch across lower Cotuit Bay and white caps build up over the shallows before crashing into the shoreline of Oyster Harbors where they bounce back into the next set of waves, creating a vicious chop that has to be transited broadside. I’ve had some dicey moments in my Empacher over the years, filling the cockpit with water and rolling so hard my knuckles would get smashed on the gunwales, but in the wherry the ride was bearable, I just had to grit my teeth and “sky” my blades high in the air during the recovery to keep them from spanking the tops of the waves.
And then, with the end in sight, it was a matter of getting through the Cotuit Oyster Company’s grant, covered with little black buoys, across the main channel, and back into the mooring field off of Ropes Beach.
I pulled ashore next to the boat ramp, pumped out the boat to lighten the load, picked up the stern and set the green hull into the trolley I made out of PVC pipe and wheelbarrow tires. I had circumnavigated the Three Bays estuary for the firsttime in who-knows-how-long, something I hadn’t realized I missed until I finished it. Ten years ago, when I was competing as a “senior master” in fall regattas from the Green Mountain Head (my favorite) to the Head of the Charles (the most prestigious), I was rowing around the island five or six times a week, timing myself from the drawbridge to home because that’s roughly the same distance as the Head of the Charles course. In those days I could make the entire 9,250 meter row in 40 minutes. It took me over an hour this week. As Charlie Clapp says, “The older we get, the faster we were.”
As I strap the boat into the trolley and make it ready to be dragged up the hill to the house, every time without fail, someone stops their car, gets out and walks down the boat ramp to admire the boat and ask me if I built it, an indication I suppose of the boat’s unfinished condition and people’s fascination with home built boats in this era of plastic kayaks. I haven’t cleaned up the wooden frame since assembling the boat, so bits of dried epoxy and smears of paint need to be chipped and scraped off before I can consider varnishing the red cedar. Right now the wood is protected with a coat of teak oil, but I think later this fall I’ll put some time into finishing the boat properly before suspending her from the rafters of the garage in a kayak/canoe sling I purchased on Amazon.
Every row in the boat is an opportunity to tune the rig a little bit to make it row easier and smoother. I’ve had two Olympic rowers — Charlie Clapp and John Bigelow — take a look at the setup of the riggers, slide, foot stretchers and oarlocks. Both agree I needed to get my weight lower and the oarlocks higher. Once all the adjustments are made and I know I won’t be trimming any wood to get thing exactly right, then I can declare the boat finished and spend some time with a can of varnish to make her gleam.
I started building my first boat with expectations of turning it out in a weekend. but of course between the conception and the creation falls the shadow, and that shadow mostly consisted of scrounging for the right lumber and assorted pieces or waiting for UPS to deliver an order of epoxy and paint. While the construction was a great experience — especially planing things to fit with my beloved Lie-Nielsen pocket plane — I didn’t realize how long it would take to debug and adjust the boat to the point where it could be safely and easily rowed.
I built the boat for my daughter. She won the National High School Rowing championships in the coxed four event, went on to the Junior National Team, and eventually the women’s crew at the University of Virginia. I was surprised to see her post a picture of herself in the new boat on Instagram with the caption that it was her first row in a decade. Rowing is one of those sports that is very specific in terms of special equipment, and unless one joins a rowing club or buys a shell of their own, most rowers never pull an oar handle again unless its for an alumni row.
The trick in setting up a shell for sculling (when the rower has an oar in each hand) is finding the sweet spot in the boat to place the sliding seat and foot stretchers. Angus Rowboats has an excellent guide to sculling geometry, and entire books have been written about the science of rigging a shell, but I found the process to be one of patiently making incremental adjustments, setting the oarlocks a centimeter higher or lower, shifting the seat assembly aft towards the stern, everything clamped temporarily in place until that elusive sweet spot can be found before epoxying it all in place.
The leaks were easy to fix. I placed the boat on saw horses in a dark garage, bottom up, and slid a bright worklight under the boat, waving it around inside of the hull while I stood outside and looked for bright spots of light. I marked those with a piece of masking tape, flipped the boat upright, and coated the inside of the fabric hull with a skim coat of marine Goop — essentially rubber cement and silicone. Three coats of Interlux Sea Green boat paint on the exterior also sealed any open mesh in the polyester, and after three hunts of leaks I finally got the hull to the point where it barely leaks at all.
A small trailer was built from instructions on REI’s website for building a kayak caddy. A couple wheelbarrow wheels, two long lengths of schedule 40 3/4″ PVC, T-connectors, 45 and 90 degree joints, a poodle noodle filched from the back of the beach car, some glue and some straps, and now I can walk the boat down the hill to the bay every morning and get in a quick 5000 meters before sitting down for a day of work.
The boat rows extremely well in all conditions. One of the shakedown cruises was done in a 20 knot breeze and the boat handled the harbor chop beautifully. The hull tracks true and doesn’t hobby-horse over waves, slicing through them nicely. The run, or amount of glide between strokes, is less than a racing shell, but I can average five or six knots rowing at half-pressure.
Now that the rig is set, I can focus on cleaning up the boat and putting the finishing touches on it. I’m confident that I can row it year-round, especially if I’m careful when hypothermia is a threat and keep within swimming distance of the shore should the boat capsize or swamp. Winter is looking better by the minute.
Last November, just as I started writing the first draft of The Wrecks and War of Bethuel Handy, I made a pilgrimage to Mystic Seaport to spend some time aboard the last surviving whaling ship, the Charles W. Morgan. I pestered the docent who was standing by the ship’s wheel with all sorts of questions about the restoration project that resulted in the Morgan making a cruise up the New England coast during the summer of 2014. I was in Provincetown when the ship came into the harbor under sail and was in awe of seeing such a mythical ship alive again.
I watched a few videos about the restoration and the cruise, and paid close attention to the words of the Morgan‘s captain, Kip Files, as he described the process of wearing ship, or tacking.
A few weeks ago I hunted him down on LinkedIn and asked him, as the only living captain of a whaling ship, what he thought of Bethuel Handy’s options as the Phoenix went ashore on Elbow Island in the Sea of Okhotsk during a mid-October blizzard. He kindly replied and asked for more information — which I pulled together from my research and sent to him last night. Here’s what he had to say about Bethuel’s options at 4 am on October 11, 1858 off the coast of Siberia:
“Interesting story. Very tuff situation. There is no true way to get off a lee shore. Every time would be different as the shore, waves, current and wind would hardly be the same. It is something an experienced captain would take all his years of knowledge of sailing and his particular vessel to give it a try. having only one anchor made his job more difficult. . There would be no helm ( steering by rudder) until the vessel had some way on. Even then in those seas it would be a miracle if it responded at all. you would need lots of movement by the rudder for it to respond.
Cutting away the mast. I do not think there would be time. Desperate move not knowing were they would fall. They are built to stay in place just cutting them might force them thru the deck. I have never known anyone to do this but it is possible. I am going to read this again. Hard to get what is going thru the captains mind. Logs don’t reflect it well as they show no emotion on purpose. Do you have the lat and long of were this happened? I might have a better feel for what was happening. I do know that the class of whaling ship are pretty handy. They sail a lot better than shore side experts give them credit.
I’m really looking forward to his reaction after he reads the sailing instructions for the Gulf of Uda and the Shantar Islands. It sounds like sailing in hell to me.
Here is the foreword to my book about Bethuel Gifford’s and Thomas Chatfield’s adventures. A download link for a PDF version of the first chapter — the wreck of the whaling ship Phoenix is at the bottom of this post. Enjoy. Comments and criticism most appreciated.
I love to sail forbidden seas, and land on barbarous coasts. Herman Melville, Moby Dick
They were the sort of men who clubbed baby seals, tattooed their faces during drunken benders, spread syphilis throughout Polynesia, and carved pornography into the teeth of dead sperm whales. They were fugitive alcoholics shaking in their bunks with delirium tremens, greenhorn farm boys keen for an adventure, negroes and Wampanoags and descendants of Hessian mercenaries stranded by the defeated British Army. They were controlled by acerbic mates from bleak Cape Cod villages who kept to themselves, mostly brothers and cousins, nephews and uncles, and were fast with their fists to keep the scum from rising up from the mephitic stench of the forecastle to mutiny on the high seas.
The first thing that happened to them when the pilot was sent ashore and the ship cleared Gay Head was the collection of their knives so the captain could snap off their points in a seam of the deck, blunting them to reduce the number of stabbings. They were divided into watches and picked by the mates in a quick draft to sit in one of the five whaleboats. The Captain had one, the chief or first mate another, and so on down to the fourth mate. Each whaleboat carried six men. The mates and captain steered. The other five pulled an oar. The harpooner pulled the bow oar because he did his work from the prow of the light boat, bracing his knee in a semicircle cut into the thwart, reaching behind to his right to lift a harpoon from its split oak crutch.
Once a whale was struck, the harpooner and the mate swapped ends, rushing to pass the other and take their place while the whale ran, sounding deep and taking fathoms of line with it. Then the harpooner took the tiller and became the boatsteerer and the mate lifted a long lance and prepared to kill the leviathan by stabbing it in the heart and lungs until it expelled a geyser of dark red blood through its spout.
They were butchers who could cut up a whale and convert it into oil. They worked in gore, slipped on decks marinated in fat and blood, and lost their sense of smell as the fishy stench of whale shit and blood festered out of the woodgrain in the tropical heat. If they fell from the rigging, dislocated a shoulder, or sliced themselves open flensing blubber from a whale they had to heal on their own. If their muscles ached and their teeth became loose then they were scorbutic and began to die in the absence of fresh fruit and vegetables, barely subsisting on a diet of salted meat and dry crackers.
They were men who voyaged into the void of the ocean for three years at a time, self-contained in their 100-foot ships, self-sufficient with enough rations and water to keep them alive for months without going ashore. They sailed into the blank spaces on the charts, to places no hydrographer had surveyed, coming upon indigenous people who gawked at the tall ships cruising into idyllic atolls and Arctic straits, corrupting them with bottles of rum and firearms, then inevitably fighting them and leaving them to die with some new pestilence.
They sailed to the antipodes where they could be beastly men far from the judgment of those they left behind.
They were whalers and they were fortune seekers a hot for a dollar as any prospector or ambitious American. They were the operators of the most complicated and highly engineered machines in existence: tall ships built to survive the caprices of the sea. In those ships they prospered, and many died. In those ships they explored lands as alien as the planets they navigated by.
They were equivalent to astronauts as they explored the blank spaces around the edges of the known world. Their space capsule was made of oak and pine; tar, hemp and canvas; 100-foot, three-masted abattoirs that announced themselves by their stench wafting on the wind long before the emerged over the horizon.
They guessed where they were all the time, sailing with only a rough idea of where they were and where they were going, but never exactly sure until they sighted a known landmark. They existed as lost men lost in the void of the true blue sea.
They lived with doubt whenever they sailed. They rarely stopped, only going ashore and anchoring in ports where water and food could be found or bought, and oil and bone could be sold. If they stopped then some would run away, undone by the constant anxiety of the endless blue water passages through doldrums and cyclones. They fled and hid until the ship sailed away, emerging from their hiding places to stand on the beach, new men becoming shuffling, sun-burned beachcombers and Crusoe’s beneaped and stranded far from home.
The ones who stayed aboard placed their trust and lives in the abilities of the aloof figure who stood alone and unapproachable at the windward shrouds by the wheel. He was the only man aboard other than the mate, who had the knowledge and the tools to find and measure the angles of the sun and the moon and the stars. He was the only man who could calculate and note in the ship’s log, with the shaky confidence of a scientist who doubts his tools — his hand wound chronometer gimballed in a box, the fogged, cracked glass of the eyepiece of his spray warped wood and ivory quadrant – the daily position of the ship. That made him the Master of the ship, the diviner of the celestial mysteries, the holder of the knowledge that made him king of the floating kingdom and kept his three dozen illiterate subjects obedient and at bay in their miserable lair under the deck of the ship’s bluff bow.
They were fugitives from justice, raging alcoholics, Wampanoag Indians in debt to English merchants, runaway slaves, green farm boys, and romantic dandies flunked out of college. They lived like scorbutic troglodytes in narrow bunks, the walls of the ship oozing green mold in the tropics, stinking up the fug filled stagnant air with their coughs and their flatulence. They never bathed. Knowing how to swim only prolonged their agony should they fall overboard because the ship never stopped, and even if they were lucky enough to grab a line trailing astern, there was no way they could pull themselves back aboard. They deserted the first chance they could; preferring to take their chances ashore with cannibals than remain aboard another day. They fled the ships if their captain was foolish enough to come into a port and give them an option to run away but most captains were too short-handed to offer them that temptation. So they stayed at sea for months at a time, never sure of where they were, depending on the captain’s incantations and formulas to There were no drugs to soothe the constant anxiety of life aboard a wooden sailing ship with no EPIRB beacons, no radios, no GPS plotters, not even charts of the oceans because in some cases they were the first men to visit the strange islands of the South Pacific or the desolate barren coasts of the arctic.
They drank out of desperation to numb themselves long enough to endure. They persevered if they didn’t desert and rode out the will of the sea and the temper of the captain until their ordeal was finally over and they were lucky to walk away with a sliver sized share of the profits, barely enough to pay off their debts to the ship and to pay for a bender in a New Bedford brothel. They found themselves aboard again the following fall for lack of any other place to go in the society of the land.
These were the sort of men that Bethuel Gifford Handy, Jr. — 29 years-old and the eldest son of the Handy-Nickerson clans of Cotuit Port — was in command of in the spring of 1858, on the Nantucket whaling ship Phoenix, as she tacked back and forth off the shores of Honolulu, her first captain going ashore all worn out and ill and incapable of command. Handy had shipped out two years before as the first mate of the Phoenix. Now, on only his second whaling voyage, he was in command of 36 men desperate to follow their former captain ashore and be free from the fear of the summer ahead in the Russian Sea of Okhotsk, the worst waters on the planet, a sea covered by ice three-quarters of the year and fog the rest. A bitterly cold stark place with rough shores with no ports, no charts, no brothels, nothing but sullen natives, deranged Russians on the edge of civilization, and vast herds of right whales congregating in the kitchen of the Pacific to feast on tons of microscopic plankton. They wouldn’t be alone. There would be hundreds of other ships, identical to their own, all of them three-masted, tall ships painted black with sheer sides and blunt bows, floating factory ships designed to hunt, chase, kill and butcher the largest animals on the planet.
Not being an especially wealthy man, I’ve always wondered about my lack of ancestral fortunes. Ask my late father how much money he made and he always replied, “A dollar ninety-eight.” His father was alleged to have passed on partnering with Howard Johnson and the guy who invented the reclining arm chair. There have always been many “woulda-coulda-shoulda” regrets expressed during cocktail hour on the back porch.
But Captain Thomas Chatfield, my great-great grandfather, did pretty well by the standards of 19th century Cape Cod by doing his part to make the Right Whale a very endangered species and by assisting in the capture of a British prize ship during the Civil War.. All of which combined managed to afford a really nice old house in the center of the village.
Chatfield couldn’t have made too much money from his whaling years because he was captain for only one voyage of the whaling ship Massachusetts, the same ship he went to the Pacific three times before in his teens and early twenties. In 1858, when he was 27 years old, he was given command of the ship on the recommendation of his wife’s grandfather, Seth Nickerson. Chatfield sailed from Edgartown on Martha’s Vineyard to the northern Pacific for his one and only voyage as captain, his last aboard the Massachusetts.
I couldn’t figure out how he managed to support himself into his 90s from a single voyage that took place in his late 20s. Whaling captains were very well paid on a share system that saw them get the biggest portion of the profit after the owners, with the remainder divided among the officers, boatsteerers (harpooners) and the ordinary seamen. So there was upside to be earned, but a whaler’s wages never seemed to me to be the kind of pay day that would keep the wolf from the door for six more decades.
Chatfield lived 12 years in row aboard the Massachusetts beginning when he was 17 and first shipped out as a cabin boy. In 1859, after rescuing his brother-in-law Bethuel Handy from a shipwreck in the ice of the Okhotsk Sea, Chatfield docked the Massachusetts in San Francisco, shipped her cargo of oil and bone east on a clipper ship, then sold the old Mattapoissett whaler to a local San Francisco merchant, put Bethuel in command and because he missed his wife and daughters, he shipped himself back to Cape Cod via the Panama isthmus.
When the Civil War broke out Chatfield immediately volunteered and was commissioned an “acting volunteer lieutenant” in the U.S. Navy. A lot of whaling captains shipped out on Union war ships, handling the navigation and seamanship while the career officers and Naval Academy graduates managed the gunnery, tactics, and other war stuff. Chatfield received orders to report to the New York Navy Yard where he was given his commission signed by the Secretary of the Navy, Gideon Welles, as well as a uniform, saber, and orders to sail to report aboard a freshly built Staten Island steam ferry, the U.S.S. Somerset.
Chatfield described the Somerset in his Reminiscences:
“The Somerset was simply a Ferry boat of the size of those plying in Boston Harbor. She had been bought by the government while on the stocks, had been strengthened to enable her to support a battery, and was designed for service on the blockade, and for river work. Her battery consisted of two nine-inch smooth bore Dahlgren guns placed on pivot carriages, one on each end, and four long thirty-two pounders in broadside: a very effective fighting craft in smooth water, but next to worthless in a sea. Her crew consisted of one naval lieutenant, commanding, four acting masters, and four acting master’s mates – these of the line. Her staff officers were one acting first assistant (chief), and three second assistant engineers, paymaster and surgeon, with enlisted men sufficient to number one hundred and thirty, of all ranks: and she had no spars, simply two flag-staffs.”
The Somerset was under the command of Lieutenant Commander Earl English, a 33-year old graduate of the Naval Academy who had been severely wounded only a few years before in the assault on the Barrier Forts at Canton during the Opium Wars of 1856. He had started his career in 1840 as a midshipman aboard the U.S. frigate Constellation, then was assigned to Annapolis, graduating in ‘46 and then assigned to the frigate Independence on the California coast during the Mexican War. Chatfield’s peer in age, but superior by far in naval credentials, English was highly respected by Thomas is his letters home to his wife in Cotuit and later in his reminiscences.
The orders to take a double-ended, flat-bottomed Staten Island ferry out of New York Harbor and into the open Atlantic was cause for concern as the Somerset received orders directly from Secretary of the Navy Gideon Welles to sail to Key West and join the East Gulf Squadron and its blockade of the Florida coastline. The fact that the ferry was steam powered and could out-maneuver any sailing vessel would have made it an invaluable vessel. On April 13, 1862, the Somerset and her sister-ship the U.S.S. Fort Henry sailed south in company, only to have to put in at Hampton Roads, Virginia when the Henry’s machinery made it impossible to go in reverse. There Chatfield was able to tour the ironclad Monitor, fresh from its battle with the Merrimac.
After an uneventful voyage from the Chesapeake to Key West, the Somerset refueled and reprovisioned, let its boilers cool down, and was then ordered to patrol the Florida Straits between the Keys and Cuba. That same spring of ‘62, Admiral David Farragut and the West Gulf Squadron had successfully attacked and captured New Orleans. Welles ordered English and the crew of the Somerset to keep a keen eye for any Confederate blockade runners trying to rush cotton to England’s mills as the ports of Louisiana, Mississippi and Alabama were closed by the Union Navy.
On her maiden patrol in the Straits of Florida, the Somerset steamed within sight of the coast of Cuba west of Havana. What ensued that Sunday, May 4, 1862 wouldn’t conclude until a Supreme Court decision three years later.
“I think it was the fourth day out: the weather was a beautiful morning, wind light, sea smooth: and being Sunday the crew were dressed in white. I had charge of the deck from eight to twelve. At nine o’clock we sighted a large, square rigged steamer coming from the eastward. We were then some half way between Havana and Matanzas, and some six miles off shore. I headed the Somerset for the steamer, shaping her course so as to intercept her, and notified Capt. English: and very soon everyone was one deck, all agog for what might turn up. We passed within easy hail. We were turning the helm astarboard to fall quickly in her wake. Capt. English hailed “What ship is that?” The answer came: “The British ship Circassian.” Then from our Captain: “This is the U.S. Str. Somerset. Hove too, I’ll send a boat aboard of you.” The answer came quick “Havn’t got time.”
“This conversation lasted say thirty seconds. Immediately the order “Beat to Quarters” was given, and the drummer was ready with his drum, and within not more than two minutes a blank cartridge (a peremptory order to hove to) loomed from gun No. 1. No notice was taken of that. Next came the order: “Solid shot across her quarter point blank. Don’t hit her,” and a minute after the shot plunged up the water a short distance of her starboard quarter. No notice was taken of that either. Next the order came “Load pivot with five-second shell: elevate seventeen hundred yards. Fire to hit.” Now that order might seem inconsistent. The five-second shell would explode at thirteen hundred yards: four hundred yards short, had the ship been distant seventeen hundred yards. But Captain English did not wish to injure the ships hull, but to explode the shell over her. The aim was true, and the distance well estimated: the shell cut one gang of her forerigging off just under the top, and exploded over her forecastle, scattering the pieces about her deck. Fortunately no one was hurt. Her engines stopped immediately, and she came too with helm aport, and lay until we came up to her.”
The Somerset’s boarding party examined the ship’s papers, learned she was British owned and sailing under British flag and therefore ostensibly a neutral ship. But finding irregularities with the Circassian’s lack of a destination, Commander English declared the ship was a blockade runners and seized her and her cargo as a prizes of war. The British captain argued that the ship was very neutral despite having sailed from New Orleans before Farragut captured it, and now that he had captured it, the blockade of the port was no longer in effect because Farragut lifted it when he occupied the city and took it for the Union. Doubtlessly perturbed by the Captain’s convoluted interpretation of admiralty law, English ignored the protests and had the Circassian taken under tow by the Somerset because his own engineers didn’t know how to start the captured ship’s boilers and her own black gang refused to cooperate.
“We took the big brute in tow, first transferring her crew, with the exception of her officers, steward and two of her engineers, to the Somerset, placing them under guard: and in that shape started for Key West: and with the help of the Gulf Stream were off Sand Key (entrance of Key West Harbor) early the next forenoon: and a novel sight it must have been to onlookers. That ferry boat, looking more like a big sea turtle than a war ship, creeping into the harbor with that big square rigged ocean steamer in tow..”
A fan of of Patrick O’Brian’s Aubreyad gets the concept of naval prizes. Basically it was a very legal and enriching form of commercialized sailing with large amounts of gunpowder involved. It was the basis of some big British admiralty fortunes and was still in effect during the Civil War for officers and crews in both the Union and Confederate fleets, not to be discontinued for another couple decades.
If an enemy vessel — naval or merchant — was captured, it was then auctioned off by a Naval Prize Court who dispersed the proceeds on a formula not too different from the share system used on New England whalers. The Admiral overseeing the operation, even if not aboard the victorious ship, got a percentage. The commander of the ship got a big share, and then every other officer and sailor got a piece of the action. If the ship was full of gold, then an ordinary seaman could receive as much as five years pay from a single prize. Often the capture got tied up in the courts, which was the story of the Circassian in the decade following the end of the Civil War. If you want to read the Supreme Court opinion, click here. The opinion was penned by Justice Salmon Chase and gives all the details a lawyer or admiralty law geek could ask for. The New York Times published an editorial on the matter which basically said “huzzah” to the court and sneered “…we think that foreign Governments will hesitate before they treat the judgments of that tribunal as so wanting in equity as to justify reprisals.”
While the cargo was disposed of and the Circassian’s owners lawyered up, the Somerset went on to have an illustrious series of actions along the western coast of Florida, freeing slaves, busting up saltworks and maintaining the blockade. A great and very detailed history (sourced in part from Chatfield’s war letters and accounts) of the ship’s subsequent actions can be found at the Naval History and Heritage Command’s website.
The New York Times reported on the sale of the Circassian’s cargo. It was a very rich prize:
“A portion of the cargo of the prize steamer Circassian, was sold yesterday at No. 18 Murray-street, by Mr. JONES, auctioneer, by order of JAMES C. CLAPP, Esq., United States Marshal for the District of Florida. There was a large attendance of buyers, and the bidding was very spirited, as the articles offered were, in the main, of a superior description.
The sale opened with a case of porcelain articles embracing vases, fruit dishes, wine coolers, and mantel ornaments, 30 pieces, which were purchased at $140. One case of hardware containing one dozen carpenter’s pencils, one dozen tower nippers, quarter dozen coach wrenches, four dozen C.S. gimlets, assorted: two dozen boxwood rules, half dozen Kent hammers, half dozen saddler’s hammers, half dozen bright garden hammers, half dozen hatchets, half dozen claw hatchets, hail dozen turn-screws, London, was sold at $295.
A case containing miscellaneous articles of French manufacture, glass tubes, leather spectacle cases, and fancy articles in general, was bought by Mr. S. HOUSEMAN at $1,200. There were 107 lots offered in all, which brought prices varying from $25 to $1,200. The proceeds of the sale will amount to about $100,000.
In August last, the first part of the cargo of this steamer was sold for $125,000. The vessel has since been appraised and taken by the Government at $107,000. The brandies she had on board will be sold on Tuesday next, by Mr. HEWLETT SCUDDER, at the store in Park-place, and it is expected they will realize $100,000.”
By war’s end the Circassian stood as one of its richest prizes with a gross value of $352,313.
How much of that went into the ancestral pocket will never be known. Chatfield was a frugal guy who supported a big family of daughters and son-in-laws as well as his own siblings and parents back in Cornwall-on-the-Hudson. How he managed to finish his whaling career at the age of 33, spend three years in the Navy, then return home to Cotuit and prosper is probably due in part to some of the Circassian prize money. That windfall and his own thriftiness probably allowed him to own the Joseph Eaton, a coastal schooner he captained until his 50s hauling granite from Maine to Albany for the construction of the State Capitol. He also managed to own two Greek Revival houses across the street from each other in Cotuit’s center, using one for sleeping the other for eating, with a Wampanoag woman cooking in a shed called “Little Mashpee”, and daughters, son-in-laws and grandchildren scattered between two other cottages. In his reminiscences he mentions the Panic of 1873, the financial crisis that sparked a two-decade “Long Depression.” He never was wealthy, but by Cape Cod standards any whaling captain was the 19th century equivalent of a hedge fund cowboy. It has been said that Nantucket and New Bedford were the wealthiest cities in the world per capita at the zenith of the whale oil market in the 1820s and some substantial Quaker fortunes live on to this day such as the Howland’s (Hetty Green, the “Witch of Wall Street”). At least one of Chatfield’s daughters married a wealthy man, Freeman Hodges, an Osterville native who worked for Henry Flagler as his real estate “front man” — buying up the land that would be the right-of-way for Flagler’s Florida East Coast Railway that ultimately would terminate in Key West.
In his retirement Chatfield made and mended sails in the sail loft at 854 Main Street, the same loft where he held the first meeting of Cotuit’s Masonic Mariner’s Lodge. His sailmaker’s bench, his leather sailmaker’s palm, massive fids for splicing hawsers, blocks and sheaves: all still hang from the rafters.
The sad end to this story is the wreck of the ill-fated Circassian in the late fall of 1876 on the southern shore of Long Island near Shinnecock Inlet. Despite several very heroic small boat rescues and weatherong two gales and multiple attempts to float her steel hull ship off the beach, the Circassian went down with a skeleton crew of Shinnecock Indians put aboard to salvage her, but who were trapped by a third fatal storm that killed all but four survivors.
“Every home on the Reservation had been affected because so many of their lost men belonged to the same families and so many of the families were interrelated. The two Walkers were brothers; the three Bunns cousins. The Cuffees too were of the same family, two brothers and a cousin. Andrew Kellis had left work on the Circassian a week before to start on a whaling voyage; now another Kellis brother was out on the beaches looking for Oliver. Every house was in mourning. All three of the tribe s Trustees were dead, and all of the men lost were married with the exception of William Cuffee. In one house a woman lost a husband and a brother; in another a husband and a brother-in-law. Her daughter, with several young children, was also made a widow. In all, nine widows and twenty-five fatherless children were left behind. Long Island history has never seen any shipwreck so devastating to so many closely related families. Brothers, brothers-in-law, and cousins were all lost. “
While going through some junk I discovered a copy of a paper I wrote in 1977 in college on the origins of the Fair-Haven Sharpie, a flat-bottomed oyster skiff popular in New Haven, Connecticut in the 19th century. I wrote this for Professor William Ferris, then a professor of American Folk Lore in the American Studies Department of Yale. While most of the syllabus and lectures focused on his work in African-American music and culture of the Mississippi Delta, I went down a more local path and researched the development of the sharpie, tracing its origins back to the dugout canoes built by the Iroquois. The research entailed me walking east from my dorm room across to the Fairhaven neighborhood on the banks of the Quinnipiac River in search of any old timers who might have worked in the once burgeoning oyster fishery. I had a cassette recorder, a notebook, and a cheap camera.
I thumbed to Mystic Seaport a few times to check out their collection of small boats and did my time in the research library there reading Howard Chapelle, the dean of American small boat design and curator at the Smithsonian. Chapelle had speculated on the dug out canoe origins of the long, narrow skiffs and I went a little deeper and keep digging into the construction techniques and coastal migration of the design up and down the East Coast. The sharpie was a very popular working boat and was utilized in the commercial oyster fishery from Cape Cod to Florida.
I lucked out with my leg work when I poked my head into a Fairhaven barber shop and asked the old timers there if they knew any old oystermen. I was directed to a local nursing home and there I met three very old codgers who still had their wits and could regale me with stories about the boats they built, sailed and worked from most of their lives.
When it came time to present the final paper in Ferris’s class, the grad student who ran my seminar (the once a week gathering of a dozen students and their assigned seminar leader) interrupted me and told Ferris I had never, not once, attended a single seminar during the entire term. Which was true. I worked in the library printing press during the afternoon before rowing practice and needed the job to keep my scholarship, so I blew the seminar off which I did in almost every lecture because I saw no point listening to blowhard classmates suck up to the grad student.
Ferris (who also graduated from The Brooks School, my prep school) said something to the effect of, “Oh yes. The oyster boat paper. About that. Have you considered post-graduate work in maritime history? I’m giving you an A+ and recommend you continue the work, it’s fascinating and the most novel piece of work I’ve seen in ten years of teaching this class.”
Wow. Okay. Wonder how he would have felt if he knew I had handed in the same paper to two other professors that same term and racked up two more A+’s for the same work.
Anyway, a reporter at the Cape Cod Times was doing some research on sharpies for his brother who was building one, and he came across a copy of the paper on file at the New Haven Historical Society. I guess one of the three professors deemed it good enough to submit it on my behalf.