Sesquipedalian Habits

I believe it’s a cruel act of intellectual dishonesty to skip over an unfamiliar word  while reading without noting its existence and tracking down its definition. Starting in high school I got in the habit of reading with a pencil and parking new vocabulary in the flyleaf of the book or on an index card/bookmark for future research with a dictionary.

Kindle made in-line dictionary look ups a breeze just by pressing on a word and waiting for the installed digital dictionary to pop-up a definition. I am increasingly growing anti-Kindle since I’ve been reading the entire “Master and Commander” series by Patrick O’Brian this past spring and summer. After three Kindle books I finally gave up forking over $12 to Amazon every time I wanted the next volume of the 21-volume series and went to E-Bay to buy a complete collection from a used book dealer for $50 with the added benefit of having it on my bookshelf for others to read or me to re-read someday.

Now, as I read the adventures of Captain Aubrey and Doctor Maturin on the train to and from Boston and Providence, I have moved to a combined print/digital vocabulary exercise. O’Brian is incredibly erudite and his introduction of delightfully archaic 19th century medical, botanical, and maritime words has proved too good to be true for this long suffering word addict.

Here’s how it works more or less. Basically it means opening a note on your phone and filling with new words and their definitions. Duh.

  1. See a word in the text like “missish”
  2. Turn to the phone and look it up missish
  3. Copy the definition from the search result
  4. open an Evernote file on the phone from a “Vocabulary Widget”
  5. Type “Missish”  and paste in the definitionevervocab
  6. Save and continue reading.

This results in a serious word collection that beats whatever “word of the day” app you may subscribe to, honors the author and makes you smarter and extremely insufferable when you announce on a sunny day that you are going “apricate” on the deck (e.g. “catch some rays”)

 

In Event of Moon Disaster

William Safire was a hell of a writer. He was the Nixon-era speechwriter who gave Vice President Spiro Agnew the wonderful line “nattering nabobs of negativity,” won the Pulitzer Prize for his New York Times columns covering the misdeeds of Bert Lance, and then ended his career with a wonderful weekly column in the Times: On Language

GWB and LB.  Ceremony for 2006 Recipients of the Presidential Medal of Freedom.

I miss that column, where he would chronicle with great affection and little judgment the vicissitudes of the English language from street slang to bitter battles over the Oxford comma or whether or not to spell judgment or judgement. On the cusp of language in the news, he doubtlessly would have been in his element with “covfefe” last week,  but he also could play the part of grammar cop without coming off as too much of a priss or traditionalist locked in the past.

“I welcome new words, or old words used in new ways,” he once wrote. “provided the result is more precision, added color or great expressiveness.”

In these days of fake news, crushing corporate bullshit, politically tempered speech and constant assaults on the First Amendment from both the right and the left,  it’s frightening to think we lack a modern day Safire to call bullshit when the powers that be prevaricate, obfuscate, and spackle over the cracks of truth with their verbal wormings. Safire was a language maven — to use his preferred term — in the tradition of Mencken, Orwell and Bierce.  Today we get “content marketers” and “brand message consultants” instead.

Safire’s career as a public relations man and presidential speech writer put him in the unenviable job of having to anticipate Murphy’s Law and prepare for the worst case scenario as any crisis communications pro is trained to do. In 1969, as the Apollo 11 mission sent the first men to the moon, it was Safire who took it upon himself to draft a statement for President Nixon to deliver to the nation via TV in the event the astronauts were stranded on the moon with no hope of rescue.

It’s been called one of the most beautiful speeches never delivered. Here’s the full text:

To : H. R. Haldeman
From : Bill Safire
July 18, 1969.

IN EVENT OF MOON DISASTER:

Fate has ordained that the men who went to the moon to explore in peace will stay on the moon to rest in peace.

These brave men, Neil Armstrong and Edwin Aldrin, know that there is no hope for their recovery. But they also know that there is hope for mankind in their sacrifice.

These two men are laying down their lives in mankind’s most noble goal: the search for truth and understanding.

They will be mourned by their families and friends; they will be mourned by their nation; they will be mourned by the people of the world; they will be mourned by a Mother Earth that dared send two of her sons into the unknown.

In their exploration, they stirred the people of the world to feel as one; in their sacrifice, they bind more tightly the brotherhood of man.

In ancient days, men looked at stars and saw their heroes in the constellations. In modern times, we do much the same, but our heroes are epic men of flesh and blood.

Others will follow, and surely find their way home. Man’s search will not be denied. But these men were the first, and they will remain the foremost in our hearts.

For every human being who looks up at the moon in the nights to come will know that there is some corner of another world that is forever mankind.

PRIOR TO THE PRESIDENT’S STATEMENT:

The President should telephone each of the widows-to-be.

AFTER THE PRESIDENT’S STATEMENT, AT THE POINT WHEN NASA ENDS COMMUNICATIONS WITH THE MEN:

A clergyman should adopt the same procedure as a burial at sea, commending their souls to “the deepest of the deep,” concluding with the Lord’s Prayer.

Pink skies at night: Joel Meyerowitz’s Cape Light

One of the classic books on the Cape Cod shelf of my over-stuffed bookshelf is a gorgeous collection by Joel MeyerowitzCape Light

“…an award-winning photographer whose work has appeared in over 350 exhibitions in museums and galleries around the world. He was born in New York in 1938. He began photographing in 1962. He is a “street photographer” in the tradition of Henri Cartier-Bresson and Robert Frank, although he now works exclusively in color. As an early advocate of color photography (mid-60’s), Meyerowitz was instrumental in changing the attitude toward the use of color photography from one of resistance to nearly universal acceptance. His first book, Cape Light, is considered a classic work of color photography and has sold more than 150,000 copies during its 30-year life.”

capelight

Cape Light is still in print and can be found on Amazon. If you are into gorgeous photography, I recommend it.

The photographs were shot with a large-format camera – using 8″x10″ film — and I recall from the preface that the camera was a gorgeous work of art in and of itself.

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Dairyland, Provincetown, Cape Cod, 1976 by Joel Meyerowitz

What is special about the book, especially while writing this on a grey day in mid-March when snow flurries are scudding across a bleak yard littered with broken sticks and honey locust pods, is that Meyerowitz managed to catch one of the most ineffable things about life on Cape Cod, that rosy, pink glow that tinges summer clouds in the evening with a lambent poetry I have never seen anywhere else in my travels. Cape Cod is an east-facing land — the Wampanoags were known to their fellow Algonquin tribes as the “People of the Dawn” and the peninsula is, as one of the easternmost promontories in America, a place to celebrate sunrises, not sunsets.

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But Provincetown and Truro, the upraised “fist” of the Cape where Meyerowitz set up his camera in the early 70s, is one of the few and only places where a decent sunset can be observed over a watery horizon in all of the eastern United States.

The pink that permeates so many of his shots — who knows why it occurs here especially. The reflection of the sea around the land? Some cloud chemistry having to do with summer humidity and the polluted air that washes over the Cape from New York City and New Jersey on the summer’s southwesterly prevailing winds?

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Whatever the cause, it comes in the spring and ends in the fall — the sunsets of November turning ominous like the eye of Sauron over Mordor as if to warn the Pilgrims to start gathering their corn and make ready for the harsh winter that follows. I haven’t seen that tell-tale glow yet this year, March continues to come in as a lion and I need to plant my St. Patrick’s Day peas today in the barren garden for my 4th of July salmon and peas supper, but it’s coming. The boats are ready. The crocuses and hyacinths are blooming and any day now the peep-peep cries of the ospreys will begin and the tinklepinks will sing in the bogs.

I have a strange affinity for photographs that show the horizon between sky and water. Andreas Gursky’s Rhien II was on display at Christie’s in New York City a few years ago, prior to its setting the auction record for a photograph, and I remember being captured by it and lusting for it for reasons I couldn’t explain. Enough so that it’s been the desktop background of my PC ever since.

andreas-gursky-5

Another amazing artist of sky and horizons and the sea is Australian photographer Murray Fredericks. His video essay of his expedition to the salt lake of Australia’s Lake Eyre is hauntingly evocative of something vast and empty that gets me right here.

fredericks_1

I don’t know if it comes from sailing offshore out of the sight of land that makes seascapes and horizons such a big thing for me. My inept attempts at celestial navigation during my yacht delivery days gave me a technical appreciation of the horizon, of how it changes depending on the eye’s height from the water, how the sextant brings down the celestial body to kiss it in a swing of the split mirror, rocking it from side to side to find a good angle then calling out “mark!” to note the precise time. But it’s also the point of interface for the eye, the not knowing what lies over it in the distance, the inability to see the curve of the earth, the way a rising or setting sun or moon can be seen to move so subtly when they are close to the line.

 

 

What’s on your desktop? Productivity Apps I use

I figured I’d list the tools, plug-ins, and apps I use to keep my act together. Here’s a list of the more important ones.

  1. Google DocsGoogle Drive: Acquia is a Google Docs driven company (thank God). If you suffer in the land of Lotus Notes or Microsoft Outlook, there is hope. Change jobs and join a company that uses Google services and your life will be better. I’m Google-centric even though I own a Microsoft Surface. I despise Apple (long rant, but I hate Apple products). In this day and age I guess there are three choices: Google, Apple or Microsoft. I tried to be in love with Microsoft’s Office 360 and OneDrive, but Acquia is  on Google, my consulting clients are embracing it, I own an Android phone and an Android tablet so Google it is.
  2. Dropbox – long time fan. Use it for keeping my stuff synched up across devices and sharing with friends.
  3. Evernote  – paired with a Fujirsu ScanSnap scanner, I use Evernote for storing important personal documents (mooring permits, car insurance policies, etc.) and love the integration with the New York Time’s Cooking section recipe box. I use Evernote on the boat by taking pictures with my phone of oil filters, navigational lights, drive belts, etc.. so when I am at West Marine I know exactly what to get.
  4. Any.do – task and list manager. I especially love the integration with my new Amazon Echo. It makes it easy to just say, “Alexa. Add review blog post to my personal to-do list” and then have it appear on Any.do’s app on the phone or Chrome browser plug in. It’s a great reminder for everything that clutters up my “get shit done” lists.
  5. Simplenote – I take tons of notes. Simplenote, a freebie from Automattic, parent of WordPress, is a very nice tool. Microsoft One Note also fits the bill at times (see below).s1500_header2_tcm127-1195268
  6. Smart Recorder – Android app which I use to record interviews. I get a file which I then send off to a transcription service, two days later I have a transcript.
  7. Alarm Clock Pro – Android app so I won’t oversleep.
  8. Business Calendar – replacement app for the default Google calendar on my HTC 10. Worth the money.
  9. TripIt Pro – big fan of this for managing travel plans. I was tipped off to it by Kevin Kelly’s Cool Tools and love how it simply works intelligently by watching my inbox for travel confirmations and then pulls them into the app..
  10. Microsoft One Note – I like OneNote and have been a fan off and on since it first appeared. The “record meeting” capability is crucial to me in some meetings at work. I use One Note across all my devices to keep track of meetings.

It’s worth noting  I like some of these things so much I will actually pay for premium levels from Dropbox, Evernote, Any.do., TripIt, and other stuff.  I also keep a subscription to the Microsoft Office suite — there are times when I need to really get detailed and nothing but the real thing — Word, Powerpoint, Excel — will do.

There’s a lot of stuff I’ve tried and rejected. Example: Nuance’s  Dragon NaturallySpeaking paired with a little Sony IC voice recorder never worked as hoped and I’ve never seen a more obnoxious spammy company like Nuance.

Some men want to see the world burn

I love Gmail because of the Exclamation Point button. This is an icon that I push a few times every day when some email marketer hounds me to “please point me to the person in your company who handles Account Based Marketing” or wants to find some time to talk about my “content management attribution challenges in the coming year.”

bestbuttonever

I know these emails have code embedded in them that tells the sender when I’ve opened them. I know that I will never respond to them. Never take their phone call. Have no guilt over ignoring them.

But the Exclamation Point — well it’s basically the email marketing equivalent of dumping the Alien Monster out of the airlock into the vacuum of space where no one can hear them scream. Not only does a quick click of the button block the sender from ever landing in my inbox again, it reports them to some unseen power as a spammer.

Aww.Poor email marketers with their “lovable marketing content.” Try it. It’s fun.

 

Peter Matthiessen

He died on Saturday. He wrote my favorite novel: the Mister Watson trilogy that culminated in Shadow Country. He lived a remarkable life. The first striped bass of 2014 will go back with a kiss and an ave atque vale for Peter, who thankfully has one more novel at the publisher, his final words.

Here is the remarkable New York Times Sunday Magazine profile, published the day before he died.

I’ve blogged here about Shadow Country and I am very proud that my Amazon review of the novel is ranked #1 by other readers. I have pressed more copies of Killing Mister Watson into more friends’ hands than any other book with the possible exception of Barry Hannah’s Geronimo Rex.

Here’s what I wrote on Amazon:

“For nearly twenty years I’ve been obsessed by Edgar Watson, the Everglades Planter known as “Bloody Watson” and “Emperor Watson” for the 50-odd murders attributed to him by a century of legend and myth.

Peter Matthiessen was way more obsessed than me, writing four novels about Watson. I read the first in 1990. The last just this past December. It, Shadow Country, won the National Book Award for Fiction in 2008. It is Matthiessen’s masterpiece, and I have no qualms saying it is among the top novels in all of American literature, a book I would stack against Moby Dick, Gatsby, The Sun Also Rises, Gravity’s Rainbow, White Noise ….

Matthiessen does several important things that won my admiration. First, his voice, his writing, is a very spare, zen language that is short on embellishment but poetic in its nature. Second, the structure that he brings to the narrative is very inventive. The first part of the novel is the tale of Watson’s death at the hands of more than two dozen of his neighbors who gun him down after a hurricane in the fall of 1910, hitting him with 33 bullets. That part, which formed the basis of Killing Mister Watson, is an succession of reminiscences by those on that Chokoloskee beach, a backwater Rashomon that bring some amazing vernacular, history, and drama. The book starts with the killing — and what follows is an utter mind-twister of why Watson was killed.

The second part of the novel is the story of one of Watson’s sons, Lucius, who tries to reassemble the facts and seperate them from the myths about his father, who, among other legends, was the reputed murderer of outlaw queen Belle Starr. Lucius compiles a list of those on that beach, a list which makes him a very suspicious figure to the survivors and their descendants, back-water plume and gator poachers who would prefer that Lucius not be asking so many questions. The detective work, the sheer genealogical complexity of Lucius’ quest is a reminder to the reader — this is a true story. Matthiessen’s research and attention to detail would shame a historian.

And finally, the true masterpiece in the three tales is the first person account by Watson himself, a story that begins with his childhood in the post-Civil War Reconstruction of South Carolina (in the most violent county of the state), and his subsequent abuse at the hands of a drunken white trash father, his flight to north Florida and from there a descent into the American frontier, and Watson’s lonely home on Chatham Bend, the only house between Chokoloskee and Key West, literally the end of America.

Read it. Matthiessen won my respect decades ago with Far Tortuga, The Snow Leopard, Men’s Lives, but Shadow Country is my candidate for the Great American Novel.”